Ikaruga
Ikaruga is the most accessible of the "Bullet Hell" shooters that have become the standard in cabinets across arcades everywhere. As the community around actually going to an arcade instead of staying home and playing online has shrunk, the demand for either a more unique experience (like the expensive input devices of Dance Dance Revolution) or a more hardcore challenge, Japanese developers (notably Cave) offered up some of the most insanely difficult shoot em ups in history. While the Americas aren't particularly interested in going to arcades anymore, we have no problem buying discs and downloaded titles of the best Japan has to offer.
Ikaruga follows that most famous of shmup plots: Aliens (or something) are attacking, let's send out some ships to defend Earth (or humanity)! The Ikaruga is scrambled to fight in this top-down shmup across a relatively short game of just five levels, but every moment is a treat to the eyes.
The central conceit - shoot enemies of a "light" or "dark" coloration in groups of threes to build a combo meter - makes for some torturousskill shots as you navigate your ship and pick and choose. Being able to hotswap your invulnerability shield from light to dark bullets also gives you a bizarre cavalier attitude in a genre known for scurrilous movements to avoid taking a hit.
The enemies and stage dressings you face are a technophile's dream, a proto-robotech world fraught with industrial machines that spit out spherical threats in an unending wave. There's a lot to process on the screen, and it's even more amazing when you realize that this is by far the easiest bullet hell shooter around.
Graphics: Crisp, but nothing groundbreaking. 3.
Sound: The music is passable, but I wish there was more coming from the enemies. 2.
Controls: With a "screen rotate" option, this game goes out of its way to make you comfortable. 4.
Tilt: Plenty of fun alone, even better with a co-op buddy. Right on the cusp of controller-throwing hard without being a breeze. 3.
Overall (not an average): 3.
Showing posts with label Shmup. Show all posts
Showing posts with label Shmup. Show all posts
Wednesday, June 23, 2010
Tuesday, June 22, 2010
SHMUP WEEK: Einhander
Einhander
When you think "side-scrolling shoot-em-up," the first developer on the tip of your tongue is probably not Square, home of the cutscene and spikey-hair angsty protagonist. But back in 1998, Square stunned the world with the criminally under-appreciated Einhander, a shmup with something to prove. The side-scroller takes the conventions of the genre and adds something that really hasn't been seen since - honest-to-goodness RPG-like choices in loadouts.
The Einhander ship itself is your first choice - there are three different configurations to start with, each with their own set of advantages. They all look, like the rest of the game, completely fantastic - Einhander compares favorably with any game of its era, and really a little bit into the next era. Because it uses 3D models in a 2D setting, its 2.5-D display looks great, and allows them to play quite a bit with your expectations of what "side scrolling" really means. The bosses are gigantic, but it's the drawn backgrounds, like Final Fantasy's, that will really blow you away.
Music is suitably epic and post-apocalyptic, and the standard gatling gun on all ships is deep and resounding, but pretty grating after a long play session. The special weapons, in all their creative glory, are fantastic. The lighting-call and lightsaber are both highlights, but the RPG launcher also stays with you.
The challenge is up there, and while this is far from a bullet hell style shooter, it does have plenty of problem-solving elements that you'll have to work with (solving paths on the fly with limited information, or enemies with conditions that must be met before destroying them) all while handling an upper-level challenging shmup.
Graphics: Mind-blowing. Shows off Square's specialty in a genre known mostly for endlessly tiled forests or clouds. 5.
Sound: While not Final Fantasy-quality orchestrals, a cut about simple horn-based battle loops common to the genre. 4.
Controls: Rewards canny manipulation and hot-swapping your limited-ammo special weapons while managing turret placement on your main gun. This is all handled decently, but the PS1 controller was not designed for such tortured manipulations. 4.
Tilt: Einhander was the hotness when it came out, and it continues to be a misunderstood classic. 5.
Overall (not an average): 5.
When you think "side-scrolling shoot-em-up," the first developer on the tip of your tongue is probably not Square, home of the cutscene and spikey-hair angsty protagonist. But back in 1998, Square stunned the world with the criminally under-appreciated Einhander, a shmup with something to prove. The side-scroller takes the conventions of the genre and adds something that really hasn't been seen since - honest-to-goodness RPG-like choices in loadouts.
The Einhander ship itself is your first choice - there are three different configurations to start with, each with their own set of advantages. They all look, like the rest of the game, completely fantastic - Einhander compares favorably with any game of its era, and really a little bit into the next era. Because it uses 3D models in a 2D setting, its 2.5-D display looks great, and allows them to play quite a bit with your expectations of what "side scrolling" really means. The bosses are gigantic, but it's the drawn backgrounds, like Final Fantasy's, that will really blow you away.
Music is suitably epic and post-apocalyptic, and the standard gatling gun on all ships is deep and resounding, but pretty grating after a long play session. The special weapons, in all their creative glory, are fantastic. The lighting-call and lightsaber are both highlights, but the RPG launcher also stays with you.
The challenge is up there, and while this is far from a bullet hell style shooter, it does have plenty of problem-solving elements that you'll have to work with (solving paths on the fly with limited information, or enemies with conditions that must be met before destroying them) all while handling an upper-level challenging shmup.
Graphics: Mind-blowing. Shows off Square's specialty in a genre known mostly for endlessly tiled forests or clouds. 5.
Sound: While not Final Fantasy-quality orchestrals, a cut about simple horn-based battle loops common to the genre. 4.
Controls: Rewards canny manipulation and hot-swapping your limited-ammo special weapons while managing turret placement on your main gun. This is all handled decently, but the PS1 controller was not designed for such tortured manipulations. 4.
Tilt: Einhander was the hotness when it came out, and it continues to be a misunderstood classic. 5.
Overall (not an average): 5.
Monday, June 21, 2010
SHMUP WEEK: Life Force
Life Force
Welcome back! We're going to take it a little old-school today as we explore several different shmups this week. First up, Life Force, the sequel to the seminal Gradius, known to some as Salamander. Full disclosure: My first experience with this game was on the NES, and it was on its release, when I was 8 years old. I was only treated to one game per month, so when I chose this, it was with the knowledge that I would be playing only this for a full month. And I played the hell out of Life Force.
The story is actually pretty cool, as far as space shooters go: an ancient, giant alien galaxy-being is going around eating planets. As the Vic Viper (or as player 2, the Road British), you actually fly into the heart of the being, kill it and escape by the seat of your pants. The level design reflects this - the first stage you fly past giant teeth as you enter the mouth, and it goes on from there. The classic Gradius style - shoot enemies for powerups, cash them in for better and better tools, and the ever-present 'Option' are all there, and thankfully the game features instant respawns instead of having a checkpoint-based system like the first Gradius.
Graphically, the game holds up remarkably well, even today. While the monsters are simple two-frame sprites, the stages are the real stars, with suitably creepy intestines and brain matter fighting for screen real estate with more terrestrial design. Alternating between top-down and side-scrolling action also gives you a better idea just what the Vic Viper looks like. The bosses are grotesque, starting with the grasping brain-eyeball at the end of the first stage, and only grow more freakish as you go deeper into, literally, the belly of the beast.
The music is catchy but not fantastic, and unfortunately does suffer from its chiptunes roots compared to what we're capable of today. The sound effects are tinny, annoying and numerous; the game is an unapologetic arcade coinsink, and has the bleeps and bloops to prove it.
Given the limitations of a two-button controller, Life Force decides not to fight it and simply has one button fire all weapons simultaneously and builds in rapid-fire. The Vic Viper thus lays down a wall of firepower that looks fantastic and makes you feel like an actual space ace as you tackle the terror from beyond.
Once you play through the first stage enough to generate muscle-memory of where each powerup, enemy and safe route are, you'll be able to breeze through it, and die horribly three times very quickly at the beginning of stage two. And you'll love every second of it. This is as it should be; the tag Quarter Pounder is very applicable here.
Graphics: The enemies (other than bosses) are simple affairs, but the stage dressing is creative and fun, even today. 5.
Sound: Forgettable music and chintzy effects. 2.
Controls: Doesn't try to do to much, and is the better for it. 4.
Tilt: A balls-hard shmup with a creative setting. 5.
Overall (not an average): Tendrils' Top Pick.
Welcome back! We're going to take it a little old-school today as we explore several different shmups this week. First up, Life Force, the sequel to the seminal Gradius, known to some as Salamander. Full disclosure: My first experience with this game was on the NES, and it was on its release, when I was 8 years old. I was only treated to one game per month, so when I chose this, it was with the knowledge that I would be playing only this for a full month. And I played the hell out of Life Force.
The story is actually pretty cool, as far as space shooters go: an ancient, giant alien galaxy-being is going around eating planets. As the Vic Viper (or as player 2, the Road British), you actually fly into the heart of the being, kill it and escape by the seat of your pants. The level design reflects this - the first stage you fly past giant teeth as you enter the mouth, and it goes on from there. The classic Gradius style - shoot enemies for powerups, cash them in for better and better tools, and the ever-present 'Option' are all there, and thankfully the game features instant respawns instead of having a checkpoint-based system like the first Gradius.
Graphically, the game holds up remarkably well, even today. While the monsters are simple two-frame sprites, the stages are the real stars, with suitably creepy intestines and brain matter fighting for screen real estate with more terrestrial design. Alternating between top-down and side-scrolling action also gives you a better idea just what the Vic Viper looks like. The bosses are grotesque, starting with the grasping brain-eyeball at the end of the first stage, and only grow more freakish as you go deeper into, literally, the belly of the beast.
The music is catchy but not fantastic, and unfortunately does suffer from its chiptunes roots compared to what we're capable of today. The sound effects are tinny, annoying and numerous; the game is an unapologetic arcade coinsink, and has the bleeps and bloops to prove it.
Given the limitations of a two-button controller, Life Force decides not to fight it and simply has one button fire all weapons simultaneously and builds in rapid-fire. The Vic Viper thus lays down a wall of firepower that looks fantastic and makes you feel like an actual space ace as you tackle the terror from beyond.
Once you play through the first stage enough to generate muscle-memory of where each powerup, enemy and safe route are, you'll be able to breeze through it, and die horribly three times very quickly at the beginning of stage two. And you'll love every second of it. This is as it should be; the tag Quarter Pounder is very applicable here.
Graphics: The enemies (other than bosses) are simple affairs, but the stage dressing is creative and fun, even today. 5.
Sound: Forgettable music and chintzy effects. 2.
Controls: Doesn't try to do to much, and is the better for it. 4.
Tilt: A balls-hard shmup with a creative setting. 5.
Overall (not an average): Tendrils' Top Pick.
Thursday, March 18, 2010
Galaga Legions
Galaga Legions
It was a crazy summer for the Xbox Live Arcade. A lot of AAA titles came out, one after the other, week after week. Consumers were inundated with two dozen must-have titles across every genre imaginable, and one title in particular seems to have been completely glossed over: Galaga Legions. Developed by the same team that made Pac•Man: Championship Edition, itself one of the best titles available on the Arcade, Galaga Legions takes the main tenets of Galaga and stands them on their head.
Princpal in the conceits of this update is that Galaga Legions is at its heart not really a shooter; it's a puzzle game, requiring the combination of quick reflexes and future planning based on quick glances of information of a Tetris or Dr. Mario. While the main gameplay of shooting at waves of enemies that arrive in a predetermined series remains, pretty much everything else has been updated.
Instead of having to force the capture and recovery of your ship for an extra set of lasers, you have two satellites to direct with a flick of the right stick, and their placement can lead you to an easy victory, but one mis-flick will have you scrambling to make it to the next wave. While the game lacks any sort of multiplayer, the leaderboards are your multiplayer buddies in this game, as you have to maintain an accuracy count while blasting everything onscreen.
I can't talk enough about the graphical updates to this game. The backgrounds are suitably spacey, and the enemies glow, pulse and flow with the sort of visual pollution that is the hallmark of other Arcade shooters like Space Giraffe and Geometry Wars Evolved. True fans of the series will of course get a kick out of the "Vintage" skins available that harken back to the space bugs of yesteryear.
The challenge in this game comes in buckets; it is not for the faint of heart as it combines the agility necessary for a true shmup along with the puzzle-managing elements of a block-falling game. You will die in bunches, and fail a lot of stages before you begin to get a feel for the ebb and flow of the game and the best placements for your satellites. Still, the game is such a joy to play, both as a simple challenge to beat, and as a mechanism to get another, higher score. For ten dollars, you really would be hard-pressed to find a better game.
Graphics: Suitably space-aged, with glows, sparks and stars where they need to be. 4.
Sound: Booms, zaps and plinks with the best of them, and the soundtrack is suitalbly alien. 3.
Controls: Unique scheme reduces most events to simply flicks and button pushes. Elegant. 4.
Tilt: Offers two genres expertly mushed together. 4.
Overall (not an average): 4.
It was a crazy summer for the Xbox Live Arcade. A lot of AAA titles came out, one after the other, week after week. Consumers were inundated with two dozen must-have titles across every genre imaginable, and one title in particular seems to have been completely glossed over: Galaga Legions. Developed by the same team that made Pac•Man: Championship Edition, itself one of the best titles available on the Arcade, Galaga Legions takes the main tenets of Galaga and stands them on their head.
Princpal in the conceits of this update is that Galaga Legions is at its heart not really a shooter; it's a puzzle game, requiring the combination of quick reflexes and future planning based on quick glances of information of a Tetris or Dr. Mario. While the main gameplay of shooting at waves of enemies that arrive in a predetermined series remains, pretty much everything else has been updated.
Instead of having to force the capture and recovery of your ship for an extra set of lasers, you have two satellites to direct with a flick of the right stick, and their placement can lead you to an easy victory, but one mis-flick will have you scrambling to make it to the next wave. While the game lacks any sort of multiplayer, the leaderboards are your multiplayer buddies in this game, as you have to maintain an accuracy count while blasting everything onscreen.
I can't talk enough about the graphical updates to this game. The backgrounds are suitably spacey, and the enemies glow, pulse and flow with the sort of visual pollution that is the hallmark of other Arcade shooters like Space Giraffe and Geometry Wars Evolved. True fans of the series will of course get a kick out of the "Vintage" skins available that harken back to the space bugs of yesteryear.
The challenge in this game comes in buckets; it is not for the faint of heart as it combines the agility necessary for a true shmup along with the puzzle-managing elements of a block-falling game. You will die in bunches, and fail a lot of stages before you begin to get a feel for the ebb and flow of the game and the best placements for your satellites. Still, the game is such a joy to play, both as a simple challenge to beat, and as a mechanism to get another, higher score. For ten dollars, you really would be hard-pressed to find a better game.
Graphics: Suitably space-aged, with glows, sparks and stars where they need to be. 4.
Sound: Booms, zaps and plinks with the best of them, and the soundtrack is suitalbly alien. 3.
Controls: Unique scheme reduces most events to simply flicks and button pushes. Elegant. 4.
Tilt: Offers two genres expertly mushed together. 4.
Overall (not an average): 4.
Tuesday, March 2, 2010
Yaris
Yaris
Yaris is an interesting proof-of-concept: Can we completely subvertise a product in a game, and convince gamers to play it? Answer: No, not with this game at least.
The old adage "no such thing as bad press" is proven wrong, as the horrific controls of this game make it a nearly-unplayable mess, and make me want to not buy a Toyota Yaris, especially if giant green sumos on mini-bikes are going to wave their arms at me as iPods with angel wings fire concentric blue rings at me.
And that's the problem with Yaris: There's certainly a fantastic game there, hiding underneath. But it isn't underneath shameless and blatant product plugging; for all its maligned "adverware" titling, the Toyota tie-in is the least of this game's problems.Set in a gray, featureless tube you must roll down, shooting at enemies with your gun that is held by a freakish tendril affixed to the roof of your car. And the enemies are creative, varied and esoteric (the aformentioned sumos-on-minibikes, angel iPods, spiders made of gas station hoses), but ultimately with the aim-assisted tendril-cannon, you end up just racing in a straight line, holding down fire.There's certainly a market for a trippy futuristic halfpipe racer on XBox Live, along the lines of WipeOut, and Yaris is deeply disappointing just because it could have been that game, but it lacks the sense of speed that future racers are known for, and the muddy, unresponsive controls detract further from that sense of movement. And if I thought I could *zoom* down alien corridors in my Yaris, maybe when I was looking for new cars, I might swing by the Toyota dealership, which would be the ultimate goal of the game, anyway.
In the end, Yaris is a great concept, but with *deeply* flawed execution. I cannot stress enough how un-fun the game is to play, and it isn't because of the adverware roots of the game; the gameplay is bad and slow, with no sense of actually "racing" so much as just barely rolling. It's a shame because the relative failure of Yaris will probably steer other companies away from releasing Adverware, which is a net loss for gamers, most of whom are (hopefully) too savvy to be swayed by viral marketing such as this, but would certainly play and enjoy a good game that was free and plastered with ads.
Composite Rating (not an average) : 1
Graphics: 2
Sound: 3
Controls: 1
Tilt: 2
Yaris is an interesting proof-of-concept: Can we completely subvertise a product in a game, and convince gamers to play it? Answer: No, not with this game at least.
The old adage "no such thing as bad press" is proven wrong, as the horrific controls of this game make it a nearly-unplayable mess, and make me want to not buy a Toyota Yaris, especially if giant green sumos on mini-bikes are going to wave their arms at me as iPods with angel wings fire concentric blue rings at me.
And that's the problem with Yaris: There's certainly a fantastic game there, hiding underneath. But it isn't underneath shameless and blatant product plugging; for all its maligned "adverware" titling, the Toyota tie-in is the least of this game's problems.Set in a gray, featureless tube you must roll down, shooting at enemies with your gun that is held by a freakish tendril affixed to the roof of your car. And the enemies are creative, varied and esoteric (the aformentioned sumos-on-minibikes, angel iPods, spiders made of gas station hoses), but ultimately with the aim-assisted tendril-cannon, you end up just racing in a straight line, holding down fire.There's certainly a market for a trippy futuristic halfpipe racer on XBox Live, along the lines of WipeOut, and Yaris is deeply disappointing just because it could have been that game, but it lacks the sense of speed that future racers are known for, and the muddy, unresponsive controls detract further from that sense of movement. And if I thought I could *zoom* down alien corridors in my Yaris, maybe when I was looking for new cars, I might swing by the Toyota dealership, which would be the ultimate goal of the game, anyway.
In the end, Yaris is a great concept, but with *deeply* flawed execution. I cannot stress enough how un-fun the game is to play, and it isn't because of the adverware roots of the game; the gameplay is bad and slow, with no sense of actually "racing" so much as just barely rolling. It's a shame because the relative failure of Yaris will probably steer other companies away from releasing Adverware, which is a net loss for gamers, most of whom are (hopefully) too savvy to be swayed by viral marketing such as this, but would certainly play and enjoy a good game that was free and plastered with ads.
Composite Rating (not an average) : 1
Graphics: 2
Sound: 3
Controls: 1
Tilt: 2
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